Dear Readers of RIHA Journal,
It is a great pleasure for us to announce that the technical enhancement of the RIHA Journal website is completed: RIHA Journal now offers a responsive design and improved performance and usability.
The new website is inaugurated with the special issue "Southern Modernisms. Critical Stances through Regional Appropriations". Its goal is to broaden the ongoing critical revision of the concept of Modernism with case studies relating to Portugal, Spain, and Greece.
O Notícias Ilustrado was published from 1928 to 1935, coinciding with the emergence of Salazar's dictatorship. Reporting the cosmopolitan life, it described itself as "the only graphic newspaper of modern and European appearance".
This essay aims to present the shifting relations between North America and the South - South America and the South of Europe - through the work of the historian George Kubler. […]
This paper aims to contrast the particular uses of the modern categories of ingenuity and primitivism both in Almada Negreiros and Ernesto de Sousa within their broader presence in twentieth century art. […]
Focusing on Sigfried Giedion’s initial visit to Greece, in the scope of CIAM IV, this study explores his approach to the myth of the Mediterranean as a germ of the Western modernist architecture.
Rafael Barradas’ Vibrationism is often recognised, together with Planism and Ultraism, as one of the first avant-garde movements to emerge in Spain; however, little attention has been paid to its intellectual roots and its Catalan and European context.
This paper discusses the notion of modernism by relating it to three artistic movements – Modernisme, Noucentisme and the Avant-garde – which developed in Catalonia between the 1880s and the early 1920s. […]
This paper examines and discusses the postmodern historiographical revision of the concept of modernism in architecture. […]
By re-evaluating the anthropophagic understanding of the cannibal's alterity, this paper proposes Antropofagia as driven by a collaborative cosmopolitanism. It shows how Antropofagia antagonised the status quo of the Brazilian academies, broaching its commitment to national issues on the ethno-racial structure and the cultural identity of a young Republic.
In this special issue you will find a discussion on southern modernisms stemming from an exploratory research project funded by the Portuguese Science Foundation (FCT) between 2014 and 2015. […]
The text sums up the knowledge on the personality of Philipp van den Bossche who worked at the Prague court of Rudolph II as a silk-embroider. Heinrich Modern opened a fresh view on this artist as an outstanding landscape drawer [...]
The article takes as its point of departure the various meanings of the Spanish word "trama", observing and ordering these as they relate to different aspects of the art of printmaking. The phenomenon of trama [...]
The early works of the Danish artist Thomas Bang were profoundly shaped by the contemporary movements in American art of the 1960s and 1970s when sculpture became a hotbed of expansive experiments [...]
Between 1862 and 1889, the Empire of Brazil participated in the most important world's fairs in Europe and North America. Representations of Brazil's population and culture [...]
The authors present the complex reception history of two paintings in the Dutch Painting Collection at the Strossmayer Gallery of Old Masters in Zagreb, reconstructing their provenance [...]
In his writings, Saul Friedländer described the problem of individual memory of the Shoah as one of the main limits of discourse. The critical point of his reflection on memory can be found in the [...]
W tekstach Saula Friedländera problem indywidualnej pamięci Shoah stanowił jedną z głównych granic dla dyskursu. Punktem krytycznym jego refleksji nad pamięcią stała się [...]
In recent years, Krakow's district of Podgórze has witnessed the erection of several works in public space that are concerned with the memory of the place. A monumental piece erected by Witold Cęckiewicz in the 1960s [...]
Krakowska dzielnica Podgórze w ostatnich latach doczekała się w przestrzeni publicznej kilku realizacji, które odnoszą się do pamięci miejsca. Do monumentlanego, wzniesionego w latach sześćdziesiątych przez [...]
Przedmiotem artykułu są rozważania na temat specyfiki Europy Środkowej w zakresie kolekcji i muzeów sztuki współczesnej oraz możliwość stworzenia alternatywy [...]
The paper presents reflections on the specificity of collections and museums of contemporary art in Central Europe and considers a possibility of creating a regional alternative for the West. The analysis [...]
Among the patrons of the young C. W. Eckersberg (1783-1853), the Jewish merchant M.L. Nathanson (1780-1868) was the most important. A key figure in the process eventually leading to [...]
The text places the work of Antonio Porta (1631/32-1702) in the broader context of European architecture. It emphasises the close connections between Porta's architecture and the work of Francesco Caratti and Jean Baptiste Mathey, [...]
The institutionalisation of Slovenian art history began in 1913, when France Stele (1886-1972), a student of Max Dvořak (1874-1921), was appointed the conservator of the province of Carniola. [...]
The design of the Dubrovnik Cathedral (1671-1713) – a monumental three-nave basilica with a dome over the crossing – was commissioned, thanks to Abbot Stjepan Gradić, from the Roman architect Andrea Bufalini. [...]
A Ilustração, directed by the Portuguese Mariano Pina (1860-1899) and published between May 1884 and January 1892, was a Luso-Brazilian illustrated magazine that for most of its existence was edited and printed in Paris before being sent to its [...]
The article discusses the location of memory and its relations with perception in contemporary art, as well as how memory takes part and resurfaces in artistic practice. I point to the impossibility of [...]
Artykuł dotyczy miejsca pamięci oraz jej związku z percepcją w sztuce współczesnej, a także sposobów, w jaki pamięć uczestniczy i ujawnia się w praktykach artystycznych. Zwracam uwagę na niemożliwość [...]
The author interprets Susan Silas' Helmbrechts walk (1998-2003), a unique series of photographs and materials collected during the walk along the route which in 1945 [...]
Autorka interpretuje pracę Susan Silas Helmbrechts walk (1998-2003), szczególny cykl zdjęć i materiałów zbudowany podczas przejścia trasy, które w 1945 roku [...]
The present text discusses Bogusław Bachorczyk's apartment-studio in Krakow. The decorations he has been making there since 2003 have transformed into a kind of work-in-progress. [...]