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2012 Jan-Mar

0033 Eduardo Lamas-Delgado, Quelques considérations sur le thème du présage de la Passion en Espagne. À propos d'une image "très mystérieuse de la Nativité", tableau retrouvé de Mateo Cerezo (1637-1666)
The cult of the Christ Child and his depiction with the Arma Christi expanded enormously during the 17th century, owing to the revival of mysticism spread by the new reformed orders [...]
0034 Hannah Williams, A Phenomenology of Vision: the Self-Portraits of Jean-Étienne Liotard
This essay analyzes the self-portraits of Jean-Étienne Liotard (1702-1789). Interpreting these objects through the lens of Maurice-Merleau-Ponty's writings on art and vision, I argue that Liotard's self-portraits [...]
0035 Ljerka Dulibić and Iva Pasini Tržec, New information on the 19th century provenance of Albertinelli's Old Testament cycle
Analysis of the correspondence of Bishop J. J. Strossmayer and his agents, and of W. Buchanan and his agents, has provided new evidence of the 19th century provenance of Mariotto Albertinelli's paintings [...]
0036 Sigrid Epp, Applausi festivi barriera – der Festumzug des Münchner Hofes zu Ehren Kaiser Leopolds I. im Jahr 1658
In 1658 a festive procession was held by the Bavarian Prince-elector to celebrate the new emperor Leopold I. Reconstructing such early modern court festivals is often difficult, if not impossible, since [...]
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