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  <title>Historiography of Art History</title>
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    <item rdf:about="http://www.riha-journal.org/articles/2011/2011-jan-mar/konecny-buquoy-famosissima-notte">        <title>0016 Lubomír Konečný, Georg Franz Buquoy und "La famosissima Notte"</title>        <link>http://www.riha-journal.org/articles/2011/2011-jan-mar/konecny-buquoy-famosissima-notte</link>        <description>In the first half of the 19th century, Georg Franz Buquoy belonged to the leading personalities of Czech society, science and culture. He authored approximately thirty pieces of writing on various topics, among them a thirteen-pages booklet [...]</description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>pmachalikova</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>19th century</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2011-03-07T08:27:56Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2011/2011-jan-mar/ungureanu-carlo-lodoli">        <title>0018 Cosmin Ungureanu, "Sia funzion la rappresentazione." Carlo Lodoli and the Crisis of Architecture</title>        <link>http://www.riha-journal.org/articles/2011/2011-jan-mar/ungureanu-carlo-lodoli</link>        <description>Similarly with the progressive turn from magic to sciences, architecture underwent a slow transformation starting with the last decades of the 17th century. Carlo Lodoli's thought [...]</description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>rwenninger</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>aesthetics &amp; art theory</dc:subject>                    <dc:subject>architecture</dc:subject>                    <dc:subject>early modern period</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2013-01-28T10:25:34Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2011/2011-jan-mar/kragelund-abildgaard-and-schadow">        <title>0019 Patrick Kragelund, "Man müsse keine Statue équestre machen": Abildgaard and Schadow in Copenhagen 1791</title>        <link>http://www.riha-journal.org/articles/2011/2011-jan-mar/kragelund-abildgaard-and-schadow</link>        <description>In connection with the project of erecting an equestrian statue for King Frederick the Great of Prussia, the Berlin sculptor Johann Gottfried Schadow was in the autumn 1791 sent on a research tour to [...]</description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>rwenninger</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>historiography of art history</dc:subject>                    <dc:subject>sculpture</dc:subject>                    <dc:subject>19th century</dc:subject>                    <dc:subject>18th century</dc:subject>                <dc:date>2013-01-28T10:24:23Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2012/2012-apr-jun/gregersen-challenging-the-precepts-of-modernism">        <title>0039 Anne Gregersen, Challenging the Precepts of Modernism: The Late Work of J.F. Willumsen </title>        <link>http://www.riha-journal.org/articles/2012/2012-apr-jun/gregersen-challenging-the-precepts-of-modernism</link>        <description>The late work of the Danish artist J.F. Willumsen (1863-1958) has until recently largely been marginalized and deemed kitsch, of poor quality and "odd". As opposed to the canonization of his earlier work, [...] </description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>mboegh</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>20th century</dc:subject>                    <dc:subject>collecting &amp; exhibiting art</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2013-01-09T10:19:56Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/woloshyn-dymond-introduction">        <title>0041 Tania Woloshyn and Anne Dymond, Introduction</title>        <link>http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/woloshyn-dymond-introduction</link>        <description>The last few years have witnessed significant moments in the history and scholarship of neo-impressionism: new publications, such as [...]</description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>rwenninger</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>20th century</dc:subject>                    <dc:subject>neo-impressionism</dc:subject>                    <dc:subject>19th century</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2012-09-12T08:35:34Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/foa-anti-biography">        <title>0042 Michelle Foa, (Anti-)Biography and Neo-Impressionism</title>        <link>http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/foa-anti-biography</link>        <description>This article analyzes neo-impressionism in relation to the biographical model of art criticism and art history that became increasingly prevalent in France over the course of the 19th century. Examining the critical response to [...] </description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>rwenninger</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>20th century</dc:subject>                    <dc:subject>neo-impressionism</dc:subject>                    <dc:subject>19th century</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2013-01-28T09:34:33Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/young-death-of-seurat">        <title>0043 Marnin Young, The Death of Georges Seurat: Neo-Impressionism and the Fate of the Avant-Garde in 1891</title>        <link>http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/young-death-of-seurat</link>        <description>This essay examines the critical and artistic responses to the death of Georges Seurat in 1891. While some at the time saw the avant-garde divided between scientifically-oriented neo-impressionism and mystical symbolism [...]</description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>rwenninger</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>20th century</dc:subject>                    <dc:subject>neo-impressionism</dc:subject>                    <dc:subject>19th century</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2013-01-28T09:35:53Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/brion-signacs-decorative-propaganda">        <title>0044 Katherine Brion, Paul Signac's Decorative Propaganda of the 1890s</title>        <link>http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/brion-signacs-decorative-propaganda</link>        <description>In the 1890s the political and artistic ambitions of Paul Signac were embodied by a series of decorative projects. This article contends that Signac, inspired by anarcho-communist discourse and the prospect of revolution, [...]</description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>rwenninger</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>20th century</dc:subject>                    <dc:subject>neo-impressionism</dc:subject>                    <dc:subject>19th century</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2012-09-12T08:38:48Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/woloshyn-colonizing-the-cote-dazur">        <title>0045 Tania Woloshyn, Colonizing the Côte d'Azur: Neo-Impressionism, Anarcho-Communism and the Tropical Terre Libre of the Maures, c.1892-1908</title>        <link>http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/woloshyn-colonizing-the-cote-dazur</link>        <description>This article explores neo-impressionist representations of the Côte d'Azur as an ideal space of anarcho-communist liberty. In doing so it questions art-historical literature of such images as utopian [...]</description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>rwenninger</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>20th century</dc:subject>                    <dc:subject>neo-impressionism</dc:subject>                    <dc:subject>19th century</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2013-01-28T09:14:34Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/dymond-valiant-independent-and-harmonious">        <title>0046 Anne Dymond, Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900</title>        <link>http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/dymond-valiant-independent-and-harmonious</link>        <description>Through a close reading of Parisian art criticism around 1900, this essay examines Paul Signac's role as de facto head of the neo-impressionists and guiding spirit of the Salon des Indépendants. [...] </description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>rwenninger</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>20th century</dc:subject>                    <dc:subject>neo-impressionism</dc:subject>                    <dc:subject>19th century</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2013-01-28T09:11:19Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/maingon-claude-monet-mentor-ou-repoussoir">        <title>0047 Claire Maingon, Claude Monet, mentor ou repoussoir de la génération néo-impressionniste?</title>        <link>http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/maingon-claude-monet-mentor-ou-repoussoir</link>        <description>Was Monet the father of neo-impressionism? This article investiges the various answers that have been offered to this controversial question by examining the relationships [...] </description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>rwenninger</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>20th century</dc:subject>                    <dc:subject>neo-impressionism</dc:subject>                    <dc:subject>19th century</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2013-01-28T08:58:46Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/brauer-contesting-le-corps-militaire">        <title>0048 Fae Brauer, Contesting "Le corps militaire": Antimilitarism, Pacificism, Anarcho-Communism and 'Le Douanier' Rousseau's La Guerre</title>        <link>http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/brauer-contesting-le-corps-militaire</link>        <description>The 1889 Military Law, far from being of no concern to neo-impressionists, was the subject of antimilitarist cartoons by Maximilien Luce and antimilitarist paintings by the neo-impressionist outsider, 'Le douanier' Rousseau. [...] </description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>rwenninger</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>20th century</dc:subject>                    <dc:subject>neo-impressionism</dc:subject>                    <dc:subject>19th century</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2012-09-12T08:43:37Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2012/2012-jul-sep/holz-reckoning">        <title>0055 Keith Holz, "Brushwork thick and easy" or a "beauty-parlor mask for murder"? Reckoning with the Great German Art Exhibitions in the Western democracies</title>        <link>http://www.riha-journal.org/articles/2012/2012-jul-sep/holz-reckoning</link>        <description>This analysis of the reception of the Great German Art Exhibitions in presses in the Western democracies identifies limits, oversights, and key assumptions in these texts. Over time these assumptions [...]</description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>rwenninger</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>20th century</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2012-11-26T16:52:51Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2012/2012-oct-dec/special-issue-scamozzi/guenther-scamozzi-kommentiert-serlio">        <title>0058 Hubertus Günther, Scamozzi kommentiert Serlio</title>        <link>http://www.riha-journal.org/articles/2012/2012-oct-dec/special-issue-scamozzi/guenther-scamozzi-kommentiert-serlio</link>        <description>This article presents the Serlio-copy of 1551 with the glosses of Scamozzi which the Ernst von Siemens Foundation has acquired for the library of the Zentralinstitut für Kunstgeschichte. We present the realia of the volume and the glosses in the context of [...]</description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>rwenninger</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>early modern period</dc:subject>                    <dc:subject>architecture</dc:subject>                    <dc:subject>Special Issue Scamozzi</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2013-01-25T13:05:28Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>
    <item rdf:about="http://www.riha-journal.org/articles/2012/2012-oct-dec/special-issue-scamozzi/davis-indice-copiosissimo">        <title>0059 Margaret Daly Davis, Vincenzo Scamozzi als Leser der antiken Schriftquellen und Denkmäler: Der "Indice copiosissimo" zu Sebastiano Serlio</title>        <link>http://www.riha-journal.org/articles/2012/2012-oct-dec/special-issue-scamozzi/davis-indice-copiosissimo</link>        <description>Already in his early youth Sebastiano Serlio's writings were well-known to Vincenzo Scamozzi. In particular Serlio's third book, dedicated to ancient Roman architecture, and his first two books on geometry and perspective, formed [...]</description>        <dc:publisher>No publisher</dc:publisher>        <dc:creator>rwenninger</dc:creator>        <dc:rights></dc:rights>                    <dc:subject>early modern period</dc:subject>                    <dc:subject>architecture</dc:subject>                    <dc:subject>Special Issue Scamozzi</dc:subject>                    <dc:subject>historiography of art history</dc:subject>                <dc:date>2013-01-25T13:06:21Z</dc:date>        <dc:type>PSJ Document</dc:type>    </item>




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