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0059 Margaret Daly Davis, Vincenzo Scamozzi als Leser der antiken Schriftquellen und Denkmäler: Der "Indice copiosissimo" zu Sebastiano Serlio
Already in his early youth Sebastiano Serlio's writings were well-known to Vincenzo Scamozzi. In particular Serlio's third book, dedicated to ancient Roman architecture, and his first two books on geometry and perspective, formed [...]
0058 Hubertus Günther, Scamozzi kommentiert Serlio
This article presents the Serlio-copy of 1551 with the glosses of Scamozzi which the Ernst von Siemens Foundation has acquired for the library of the Zentralinstitut für Kunstgeschichte. We present the realia of the volume and the glosses in the context of [...]
0057 Corina Meyer, "[...] denn gute Gemälde hatte ich versprochen, gute habe ich geliefert, aber, aber [...]". Ein folgenreicher Streit um die Erwerbung eines Filippino Lippi im Städelschen Kunstinstitut um 1820
At the beginning of the 19th century, German artists lived in Italy and worked as art agents for art galleries in their home countries. One such art trade partner was the Städelsches Kunstinstitut in Frankfurt am Main. One of their art agents [...]
0056 Daniela Wagner, Das Ende der Welt ist nicht das Ende der Tugend. Tintorettos Jüngstes Gericht für Venedig
Tintoretto's Last Judgement of Madonna dell'Orto in Venice includes an unusual detail: the scene of a flood. While Tintoretto refers to Michelangelo's Sixtine Chapel Judgement in form and structure, the depiction of [...]
0055 Keith Holz, "Brushwork thick and easy" or a "beauty-parlor mask for murder"? Reckoning with the Great German Art Exhibitions in the Western democracies
This analysis of the reception of the Great German Art Exhibitions in presses in the Western democracies identifies limits, oversights, and key assumptions in these texts. Over time these assumptions [...]
0054 Anna Bednarek, Photography at the Polish auction market (English Version)
The article analyses the state of the photography auction market in Poland on the basis of the sales in the period from the first photography auction (1996) until the end of 2011. The data allow the reader to discover [...]
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