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0222-0229 Special Issue "From Living to Visual Images. Paradigms of Corporeal Iconicity in Late Antiquity", eds. Michele Bacci and Vladimir Ivanovici

By exploring the various traditions of iconic living present in the Roman world in the period preceding the affirmation of the icon, the contributions in this theme issue recreate part of the context in which the concept of icon was formed and invite readers to add a new perspective on the phenomenon: that of surrogate for the living iconic body. […]

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0221 Rachel E. Perry, Painting in Danger: Jean Dubuffet's Hautes Pâtes

Jean Dubuffet made his dramatic breakthrough into the art world in 1946 with what would become his signature innovation, the hautes pâtes (thick or high pastes). This article highlights the uneasy double bind Dubuffet found himself in, as his theoretical interest in ephemerality gave way to his clients’ and dealers’ practical concerns over the material durability of his work.

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0211-0217 Special Issue "Prekäre Vergangenheit? Barockforschung im östlichen Mitteleuropa unter den Bedingungen des Sozialismus", eds. Michaela Marek (†) and Eva Pluhařová-Grigienė

The field of art historiography under State Socialism in Central and Eastern Europe is understudied so far. In a comparative approach, this special issue surveys the interpretative modells that architectural historians in Eastern Europe during the Cold War era applied to Baroque architecture […].

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0209 Rodney T. Swan, Symbolism and Allusion in Matisse’s Jazz

Henri Matisse's "Jazz" became one of the most celebrated livres d'artiste of the 20th century. The images, created during the German Occupation of France, were embedded with symbols of cultural resistance, while his text, which he composed after the defeat of the Germans, reflected the transition to a post-Liberation France. […]

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