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RIHA Journal 0208, Marques and Braz

Fig. 01

Rosalind Krauss's diagram of postmodern sculpture, based on a mathematical concept called the Klein group (reprod. from: Rosalind Krauss, "Sculpture in the Expanded Field" [1979], in: idem, The Originality of the Avant-Garde and Other Modernist Myths, Cambridge, Mass. 1985, 276–290: 283)

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Fig. 02

George Baker´s diagram (a) (reprod. from: George Baker, "Photography’s Expanded Field", in: October 114 (Fall 2005), 120–140: 131)

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Fig. 03

George Baker´s diagram (b) (reprod. from: Baker, "Photography’s Expanded Field", 130)

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Fig. 04

Julião Sarmento, Untitled (Eagle), 1972, acrylic on canvas, 125 x 125 cm (Photo: Courtesy of Julião Sarmento's Studio)

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Fig. 05

Julião Sarmento, Untitled, 1973/2002, three b&w photographs mounted on PVC, each 19.7 x 29.3 cm, total size 19.7 x 88.5 cm. Collection of the artist, Estoril (photo: courtesy of Julião Sarmento's studio)

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Fig. 06

Julião Sarmento, Catch!, 1975, three b&w photographs and one photo-text mounted on cardboard, each 17 x 23 cm, total size 17 x 98 cm. Collection of the artist, Estoril (photo: courtesy of Julião Sarmento's studio)

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Fig. 07

Julião Sarmento, Untitled (strip), 1975/2002, ten b&w photographs mounted on PVC, each 29.3 x 19.8 cm, total size 29.3 x 233 cm. Collection of the artist, Estoril (photo: Divisão Documentação Fotográfica / IPM. Courtesy of Julião Sarmento's studio)

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Fig. 08

Julião Sarmento, Quatre mouvements de la peur, 1978/1995, nine b&w photographs mounted on foamboard in artist's frames, each 186 x 125.5 cm, total size: variable dimensions. Collection of the artist (photo: courtesy of Julião Sarmento's studio)

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Fig. 09

Julião Sarmento, Quatre mouvements de la Peur, 1995. Artist book conceived in 1978 but only published in 1995; 68 pages, 24.3 x 17 cm; 500 copy print-run. Encontros de Fotografia de Coimbra, Coimbra, Portugal (photo: by the authors)

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Fig. 10

Julião Sarmento, Faces, 1976, Super-8 film, colour, silent, 44' 22". Collection Van Abbemuseum, Eindhoven (photo: courtesy of Julião Sarmento's studio)

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Fig. 11

Julião Sarmento, Legs, 1975, Super-8 film, colour, silent, 3' 45". Collection Van Abbemuseum, Eindhoven (photo: courtesy of Julião Sarmento's studio)

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